From the Introduction:

From a Western media perspective, coverage of the uprisings has metamorphosed and evolved in intriguing ways. What began as initial alarm at these acts of protestation in the region and the knee-jerk paranoia and condemnation (which leveled accusations of extremism against many dissident movements) eventually turned into favorable cheerleading. In the end, the conduct of Western media is a crescendo of divergent confusion vis-à-vis the particularities in each country’s patterns of public action. Admittedly, the Western media were forced by the uprisings to forgo their reliance on typical motifs because what was happening on the ground was more nuanced than any of the prototypes often depicted and also in response to a strategic shift in Western governments’ tackling of the uprisings.
At first taken by surprise and forced into a state of reactionary caution, Western media quickly adapted their depiction of the uprisings from concern to advocacy for the demands of the dissident movements. The pro-activist representational frames they employed were a unique and welcomed departure from the Orientalist tropes that manufacture Arab dissent as an act of unruly barbaric irrationality. However, they are often prefaced with the latent fear that these revolutionary movements will produce unfavorable “results for Western governments and their interests in the region. For this reason, the international media still have the archetypal repertoires of Arabo- and Islamophobic categories on standby like “first-aid kits” to remedy the anomalously-positive coverage, particularly when these revolutions go awry and no longer seem so fairytale-like. And when it happens, as it has in Tunisia, Egypt, and Libya with the rise of Islamist political forces to the forefront, the media can easily revert to tried and tested modalities.

Click to read a longer excerpt from the introduction, including an interview with the editors (and Jadaliyya co-editors) Adel Iskandar and Bassam Haddad.

From the Introduction:

From a Western media perspective, coverage of the uprisings has metamorphosed and evolved in intriguing ways. What began as initial alarm at these acts of protestation in the region and the knee-jerk paranoia and condemnation (which leveled accusations of extremism against many dissident movements) eventually turned into favorable cheerleading. In the end, the conduct of Western media is a crescendo of divergent confusion vis-à-vis the particularities in each country’s patterns of public action. Admittedly, the Western media were forced by the uprisings to forgo their reliance on typical motifs because what was happening on the ground was more nuanced than any of the prototypes often depicted and also in response to a strategic shift in Western governments’ tackling of the uprisings.

At first taken by surprise and forced into a state of reactionary caution, Western media quickly adapted their depiction of the uprisings from concern to advocacy for the demands of the dissident movements. The pro-activist representational frames they employed were a unique and welcomed departure from the Orientalist tropes that manufacture Arab dissent as an act of unruly barbaric irrationality. However, they are often prefaced with the latent fear that these revolutionary movements will produce unfavorable “results for Western governments and their interests in the region. For this reason, the international media still have the archetypal repertoires of Arabo- and Islamophobic categories on standby like “first-aid kits” to remedy the anomalously-positive coverage, particularly when these revolutions go awry and no longer seem so fairytale-like. And when it happens, as it has in Tunisia, Egypt, and Libya with the rise of Islamist political forces to the forefront, the media can easily revert to tried and tested modalities.

Click to read a longer excerpt from the introduction, including an interview with the editors (and Jadaliyya co-editors) Adel Iskandar and Bassam Haddad.

Mainstream Taboo on Criticizing Israel Suffers Visible Cracks (Video)

For those of us in the United States who have been advocating for Palestinian rights for many years, our impact can seem dismal by looking only at the unshakable bias of US foreign policy on the issue. However, since real political change happens from the ground up, and the political establishment is often the last element to respond to social change, the impact of our activism can be more accurately measured by looking at how public discourse has changed over the last decade.

A decade ago, sympathy for the Palestinian quest for justice was virtually nonexistent in the United States. But in the last ten years, some noteworthy signs of change have appeared: a former President wrote a book about Israeli apartheid in the occupied territories; leading academics at Harvard and the University of Chicago wrote a book criticizing the Israel lobby’s influence in Washington; and major Jewish American organizations emerged to challenge the fiction that AIPAC speaks for a singular American Jewish community on U.S. policy towards Israel. Also, a plurality of Americans and a majority of Democrats now believe that Israeli settlements should be dismantled and the land returned to Palestinians. We certainly still have a lot of work ahead of us in expanding the debate further as well as translating the shift in discourse into an actual shift in policy. Still, it is important to remember that we are making a difference. The following video shows the extent to which our efforts have penetrated mainstream American media.

[The words listed within the category of “Terrorism”]
US Department of Homeland Security’s Media Monitoring Manual

The following link directs you to portions of the US Department of Homeland Security’s (DHS) 2011 Media Monitoring Desktop Reference. It was made available through the efforts of the Electronic Privacy Information Center, which filed a Freedom of Information Act (FOIA) request and subsequent law suit to obtain the documents. The manual identifies many of the problematic monitoring practices of DHS and contains a (broad) list of (extremely vague) key words DHS uses to monitor the internet (including search engines and social media communications). Unclear from the released documents is how exactly DHS is able to access the data from search engines and social media communications in its efforts to “track” the use of these keywords. However, as several reports have indicated, this is most probably achieved through the agreements with host sites such as Google, Bing, Yahoo, Facebook, Twitter, and others.

Read more

[The words listed within the category of “Terrorism”]

US Department of Homeland Security’s Media Monitoring Manual

The following link directs you to portions of the US Department of Homeland Security’s (DHS) 2011 Media Monitoring Desktop Reference. It was made available through the efforts of the Electronic Privacy Information Center, which filed a Freedom of Information Act (FOIA) request and subsequent law suit to obtain the documents. The manual identifies many of the problematic monitoring practices of DHS and contains a (broad) list of (extremely vague) key words DHS uses to monitor the internet (including search engines and social media communications). Unclear from the released documents is how exactly DHS is able to access the data from search engines and social media communications in its efforts to “track” the use of these keywords. However, as several reports have indicated, this is most probably achieved through the agreements with host sites such as Google, Bing, Yahoo, Facebook, Twitter, and others.

Read more

[Front page of the 15 November edition of the Washington Post newspaper featuring Majed Hamdan’s photo of Jihad Masharawi mourning his son’s death.]

Whether one sees it as an image of universal suffering as a result of war or as a particularly Palestinian image, photographs like this summon honest introspection and difficult feelings, perhaps even more than the bloody images of conflict that often cause viewers to avert their eyes. Given news standards that lead journalists all too often to focus on leaders’ statements and casualty statistics, it is a small moral breakthrough that this image should take up space on the front page of a major paper. It is an invitation to feel something about a Palestinian family far removed from Washington, DC.
Yet, photographs like this one have provoked the argument that dead children are part of Hamas’ media strategy. According to this argument, Hamas baits Israel into killing Palestinian children in order to make Israel look bad. On 18 November, 2012, a post on Honest Reporting concluded, “The media must acknowledge that dead babies and children play an essential role in Hamas’ propaganda war.” A few days later, in a blog entry entitled “The Media Bear Some Responsibility for Civilian Deaths in Gaza,” law professor Alan Dershowitz took the argument a step further by asserting that the media are complicit in the deaths of Palestinian children: “If the international community and the media want the conflict between Hamas and Israel to end, they (OR: we) must stop encouraging this gruesome Hamas tactic.”
On 28 November, 2012 in The Washington Post’s op-ed pages, the Israeli ambassador to the United States, Michael Oren, picked up the argument. Oren asserted that Hamas has a strategy of making it seem as though Israel is perpetrating war crimes, and that the US media “help advance its strategy.” “Hamas knows,” he writes, “that it cannot destroy us militarily but believes that it might do so through the media.” In other words, while Israeli missiles killed an estimated 103 civilians—including three journalists and 33 children—and Hamas rockets killed four Israeli civilians during the November fighting, and even though Israel has been carrying out a crippling economic blockade against Gaza for five years, it is Hamas that poses the existential threat to the state of Israel via its media strategy.

Read more on Do Photographs Pose an Existential Threat to Israel?

[Front page of the 15 November edition of the Washington Post newspaper featuring Majed Hamdan’s photo of Jihad Masharawi mourning his son’s death.]

Whether one sees it as an image of universal suffering as a result of war or as a particularly Palestinian image, photographs like this summon honest introspection and difficult feelings, perhaps even more than the bloody images of conflict that often cause viewers to avert their eyes. Given news standards that lead journalists all too often to focus on leaders’ statements and casualty statistics, it is a small moral breakthrough that this image should take up space on the front page of a major paper. It is an invitation to feel something about a Palestinian family far removed from Washington, DC.

Yet, photographs like this one have provoked the argument that dead children are part of Hamas’ media strategy. According to this argument, Hamas baits Israel into killing Palestinian children in order to make Israel look bad. On 18 November, 2012, a post on Honest Reporting concluded, “The media must acknowledge that dead babies and children play an essential role in Hamas’ propaganda war.” A few days later, in a blog entry entitled “The Media Bear Some Responsibility for Civilian Deaths in Gaza,” law professor Alan Dershowitz took the argument a step further by asserting that the media are complicit in the deaths of Palestinian children: “If the international community and the media want the conflict between Hamas and Israel to end, they (OR: we) must stop encouraging this gruesome Hamas tactic.”

On 28 November, 2012 in The Washington Post’s op-ed pages, the Israeli ambassador to the United States, Michael Oren, picked up the argument. Oren asserted that Hamas has a strategy of making it seem as though Israel is perpetrating war crimes, and that the US media “help advance its strategy.” “Hamas knows,” he writes, “that it cannot destroy us militarily but believes that it might do so through the media.” In other words, while Israeli missiles killed an estimated 103 civilians—including three journalists and 33 children—and Hamas rockets killed four Israeli civilians during the November fighting, and even though Israel has been carrying out a crippling economic blockade against Gaza for five years, it is Hamas that poses the existential threat to the state of Israel via its media strategy.

Read more on Do Photographs Pose an Existential Threat to Israel?

tadweenpublishing:

Mediating the Arab UprisingsCo-edited by Adel Iskander and Bassam Haddad

The objective behind “Mediating the Arab Uprisings” is to interrupt the seemingly uninterrogated terrain of media in and on the Arab uprisings at this crucial moment in the living history of the region. By problematizing the relationships between power and information production/dissemination both in the Arab world and beyond, we can begin to reconfigure the discussion in a manner that renders it more informative, reflexive, and accurate in its depiction of the conditions in each of the region’s public spaces.

To purchase your own copy, click here! Both paperback and e-book versions are available.

tadweenpublishing:

Mediating the Arab Uprisings
Co-edited by Adel Iskander and Bassam Haddad

The objective behind “Mediating the Arab Uprisings” is to interrupt the seemingly uninterrogated terrain of media in and on the Arab uprisings at this crucial moment in the living history of the region. By problematizing the relationships between power and information production/dissemination both in the Arab world and beyond, we can begin to reconfigure the discussion in a manner that renders it more informative, reflexive, and accurate in its depiction of the conditions in each of the region’s public spaces.

To purchase your own copy, click here! Both paperback and e-book versions are available.

(via tadweenpublishing)

[Figure 1. “The Wife of Amin Yusuf Bek.” Source: Memory of Modern Egypt website.]

Archiving initiatives and concepts of photographic heritage currently emerging in the Middle East are shaped in very different ways than was the case over the past century. They are conceived along the lines of two models. One is a digitization model, as seen in the Library of Alexandria, which destroys artifacts in order to produce data. The second […] is a model of neoliberal fiefdoms where photographic heritage becomes the privilege of the select few. In both cases, public interest, in the form of open access, and research interests—the two aspects that framed public archives throughout the twentieth century—remain strikingly absent.

Read more on “I Have the Picture!” Egypt’s Photographic Heritage between Digital Reproduction and Neoliberalism (Part I)

[Figure 1. “The Wife of Amin Yusuf Bek.” Source: Memory of Modern Egypt website.]

Archiving initiatives and concepts of photographic heritage currently emerging in the Middle East are shaped in very different ways than was the case over the past century. They are conceived along the lines of two models. One is a digitization model, as seen in the Library of Alexandria, which destroys artifacts in order to produce data. The second […] is a model of neoliberal fiefdoms where photographic heritage becomes the privilege of the select few. In both cases, public interest, in the form of open access, and research interests—the two aspects that framed public archives throughout the twentieth century—remain strikingly absent.

Read more on “I Have the Picture!” Egypt’s Photographic Heritage between Digital Reproduction and Neoliberalism (Part I)